Polyphonic sex dissidence, neoliberalism and sociogeneric performativities in El verbo J, by Claudia Hernández

Abstract

The purpose of this article is to suggest a reading of the dialogue between the writing procedures of El verbo J and the sexodissidences that the text stages. Based on this, and related to the writing polyphony of Claudia Hernández's text, staged sex dissidence is proposed as a visualization of the intersubjective and citational constitution of the genre as a disarticulating revision of its plasticity, which, by progressively approaching the power matrixes of neoliberal rationality, reveals, in complicity with gender, the performative status of socioeconomic class as a device for the production of bodies and subjectivities.