Solar Drawings and Moving Shades: An Affective Aesthetics for the Urban Climatic Mutation

Main Article Content

Tomás Criado
Carla Boserman

Abstract

In a world saturated with planetary images that compel but rarely mobilize, we turn to solar drawings as an affective aesthetics for climate action. How can drawing attune us to changing landscapes while supporting transdisciplinary inquiries? We explored this in a workshop held in Barcelona in 2024, focusing on urban shades and extreme heat. At its core were anthotypes—solar drawings made with spinach emulsion—used to record the flickering presence of shades in different urban arenas. Thinking with anthotypes allows us to be affected by solar exposure as a planetary condition, reframing shades as inhabited or inhabitable regions. As we see it, these unstable records can become relevant forms of experiential research, activating embodied visual sensitivities to correspond to worlds undergoing climatic mutation through speculative explorations that seek to take overheated urban milieus into our own drawing hands.

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How to Cite
Criado, T., & Boserman, C. (2026). Solar Drawings and Moving Shades: An Affective Aesthetics for the Urban Climatic Mutation. Diseña, (28), Article.4. https://doi.org/10.7764/disena.28.Article.4
Section
Original Articles (part 1)
Author Biographies

Tomás Criado, CareNet, Universitat Oberta de Catalunya

Ramón y Cajal Senior Research Fellow in the CareNet group at the Open University of Catalonia. He holds a degree in Psychology and a PhD in Anthropology from the Universidad Autónoma de Madrid. In his ethnographic and public engagement work, he has inquired into different forms of material and knowledge politics in environments where care is invoked as a mode of urban intervention. His most notable publications include “Care in Trouble: Ecologies of Support from Below and Beyond” (co-authored with V. Duclos; Medical Anthropology Quarterly, Vol. 34, Issue 2), and the following compilations: An Ethnographic Inventory: Field Devices for Anthropological Inquiry (co-edited with A. Estalella; Routledge, 2023); Experimental Collaborations: Ethnography through Fieldwork Devices (co-edited with A. Estalella; Berghahn, 2018); and Re-learning Design: Pedagogical Experiments with STS in Design Studio Courses (special issue of Diseña, guest edited with I. Farías; Diseña Issue 12).

Carla Boserman, Faculty of Fine Arts, Universidad Complutense de Madrid

Assistant Professor in the Drawing Department of the Faculty of Fine Arts at the Complutense University of Madrid, and a member of the Research, Arts, and University group. She holds a degree in Fine Arts from the University of Seville and a PhD in Cultural Studies from the University of Vic – Central University of Catalonia. Her research focuses on learning processes, community building, and social memory projects through the lenses of drawing, materiality, and documentation. Her most notable publications include: Dibujo en contexto: Otros laboratorios, pequeñas cocinas y un rebaño (UVIC, 2022); "Dibujos solares: Los caballos de espinacas: Sobre antotipias y afectividad ambiental" (Revisiones, Issue 13), “Rescuing Epistemic Objects from Speculative Design” (Diseña, Issue 14); and “Metodologías de investigación materializadas. Entre maquetas, tostadoras, diagramas, rampas y cabinas” (Inmaterial, Issue 1).

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