Design or Decline? A Decolonial Cease and Desist

Main Article Content

Bárbara Estreal
Marcelo Ramirez

Abstract

This paper critically examines the contemporary relationship between design and decolonization, with a focus on reevaluating our expectations of design as a profession and exploring potential pathways forward. The discussion centers on the stagnant state of design discourse, and the intricate power dynamics within design practices. It underscores the significance of recognizing that designers do not uniformly occupy identical positions, highlighting the asymmetrical power dynamics inherent in design nearshoring and the prioritization of Northern interests. Furthermore, it questions the reliance on exclusive designerly methods for systemic change, the pursuit of the common good, and the realization of the pluriverse. We claim that design, in its current form, often reinforces capitalist and colonial structures rather than dismantling them. The paper criticizes design’s complicity in perpetuating colonial differences while claiming to address them, recognizing the fundamental role of design for the realization of the modern project and as a key enabler of capitalist modes of production and consumption. Through an interdisciplinary lens, this paper scrutinizes the dissonance between design’s self-professed ethical values and the pursuit of capitalistic gains.

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How to Cite
Estreal, B., & Ramirez, M. (2024). Design or Decline? A Decolonial Cease and Desist. Diseña, (25), Article.6. https://doi.org/10.7764/disena.25.Article.6
Section
Original Articles (part 3)
Author Biographies

Bárbara Estreal, Independent Researcher

Designer and independent researcher with studies in Fashion at Universidad La Salle Bajío, Industrial Design at Universidad Autónoma Metropolitana, and a Bachelor’s degree in Intercultural Development and Management from Universidad Nacional Autónoma de México. Her work explores the relationships between creative practices, social justice, and the creative industries through a decolonial and Latin American lens. She started Museo de Moda to foster narratives that challenge traditional perspectives in Fashion Studies and Design History for non-scholarly audiences.

Marcelo Ramirez, Independent Researcher

Designer and independent researcher, he holds a B.Sc. in Industrial Design and an M.Sc. in Service Design from Politecnico di Milano. He has taught as an adjunct professor in the Industrial Design program at Tecnológico de Monterrey. His research interests focus on ontological design, decoloniality, the generation of culture through design, and service design as a tool for mediating interactions and shaping societal and material realities. He is particularly interested in how design can foster autonomy, collective action, and challenge systems of control, positioning design as a tool for insurgent strategies. He is the author of ‘Designing Ourselves and Our World: A Designer-weaver’s Perspective on Services’ (Serv.Des 2023).

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